
The broad strokes of American culture in the latter half of the twentieth century form the background for Walter Mosley’s picture of Easy Rawlins, an African-American private detective who seems to know just how far to push people to get what he wants. Now with a PI license to give him legitimacy, Easy also has one foot in an underworld that gives him the appearance of being on both sides of the law, and morally ambiguous. He does have a strict morality, however, and it includes doing whatever it takes to get his daughter well, and he doesn’t bend his personal rules for the sake of convenience.
Easy Rawlins walks this ethical tightrope in the face of mounting obstacles. These obstacles include the fact that as an African-American, the police will suspect him when anything goes wrong, or even if he looks out of place. One of Mosley’s themes is the precarious position of African-Americans in the eyes of law enforcement in mid-twentieth century America. In this book, Easy has come a long way since Devil in a Blue Dress and there are hints that American society is changing too. In Cinnamon Kiss Mosley combines a crime thriller with a noir hero who beautiful women apparently can’t resist, and places the story in an iconic 1960’s location. It all adds up to an engaging story whether or not you’ve followed the Easy Rawlins series from the beginning.
Cinnamon Kiss by Walter Mosley
Read by Michael Boatman
Hachette Audio, unabridged: 7 hours on 6 CDs